
by Georges de La Tour, 1635
Georges de La Tour painted The Cheat with the Ace of Clubs around 1635. Four figures sit at a card table in an intimate interior. At left, a young man in a feathered hat studies his hand, unaware he is being fleeced. The cheat at center reaches behind his back to draw an ace from his belt.
A courtesan in a low-cut dress exchanges glances with the cheat, signaling the victim's cards. A maid pours wine to distract the dupe. Everyone in the work in on the game except the one about to lose. The elaborate costumes and sideways looks tell the story without words.
Kimbell Art Museum in Fort Worth holds this work. La Tour remained largely forgotten until the 20th century. The painting rewards attention to its psychological drama and moral warning about the costs of naivety.
Other masterpieces from the Baroque movement

El Greco, 1614
National Gallery of Art, Washington, D.C.

Frans Hals, 1624
Wallace Collection, London

Johannes Vermeer, 1670
Louvre, Paris, Paris

Johannes Vermeer, 1663
Rijksmuseum, Amsterdam
Johannes Vermeer, 1666
National Gallery of Art, Washington, D.C.

Johannes Vermeer, 1665
Mauritshuis, The Hague

Johannes Vermeer, 1664
National Gallery of Art, Washington, D.C.

Diego Velázquez, 1650
National Gallery, London
Luxury wall art with the same mood and energy. Gallery-quality canvas, no museum crowds.
Browse Collection