
by El Greco, 1614
El Greco painted this dramatic scene between 1610 and 1614, near the end of his life. It depicts the Trojan priest Laocoön and his sons being strangled by sea serpents, punishment from the gods for warning Troy about the wooden horse.
What makes this painting extraordinary is its setting. Instead of ancient Troy, El Greco placed the scene before Toledo, Spain, where he lived and worked. The city's distinctive skyline is unmistakable in the background. This bold anachronism transforms classical myth into a vision of divine judgment over contemporary Spain.
The elongated figures, eerie lighting, and apocalyptic atmosphere are hallmarks of El Greco's late style. The work the only mythological subject in his surviving work and hangs at the National Gallery of Art.
![Gian Federico Madruzzo Oil Canvas Giovanni Battista[1] by Giovanni Battista Moroni](https://yfndmpigludzuzjjdfce.supabase.co/storage/v1/object/public/artwork-images/artwork-wiki/giovanni-battista-moroni-gian-federico-madruzzo-oil-canvas-giovanni-battist.jpg)
Giovanni Battista Moroni
National Gallery of Art, Washington, D.C.

Edgar Degas
National Gallery of Art, Washington, D.C.

Bronzino
National Gallery of Art, Washington, D.C.

Berthe Morisot
National Gallery of Art, Washington, D.C.
Other masterpieces from the Renaissance movement

Raphael, 1511
Vatican Museums, Vatican City

Sandro Botticelli, 1482
Uffizi Gallery, Florence, Florence

Titian, 1555
National Gallery of Art, Washington, D.C.

Raphael, 1510
National Gallery of Art, Washington, D.C.

Raphael, 1512
Gemäldegalerie Alte Meister, Dresden, Dresden

Sandro Botticelli, 1485
Uffizi Gallery, Florence, Florence

Titian, 1538
Uffizi Gallery, Florence, Florence

Sandro Botticelli, 1476
Uffizi Gallery, Florence, Florence
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