
by Sandro Botticelli, 1476
Sandro Botticelli painted The Adoration of the Magi around 1475-1476 for a funerary chapel at the Santa Maria Novella monastery in Florence. The patron, banker Gaspare di Zanobi del Lama, chose the subject partly because his name "Gaspare" matched one of the three Magi. More significantly, the painting serves as a who's who of the Medici family.
Cosimo de' Medici kneels before the Virgin as the eldest Magus. His sons Piero and Giovanni appear as the other two kings. Grandsons Lorenzo and Giuliano stand among the crowd. All the Medici portrayed were dead by 1476, transforming the painting into a memorial and political statement. Florence belonged to Lorenzo, and Botticelli made that clear.
A young man in a golden cloak at the far right looks directly at the viewer. Scholars accept this as Botticelli's self-portrait. The tempera-on-panel painting measures 111 by 134 centimeters and hangs at the Uffizi Gallery in Florence. Botticelli painted at least seven versions of this subject throughout his career.

Leonardo da Vinci
Uffizi Gallery, Florence, Florence

Sandro Botticelli, 1482
Uffizi Gallery, Florence, Florence

Sandro Botticelli
Uffizi Gallery, Florence, Florence

Fra Angelico
Uffizi Gallery, Florence, Florence
Other masterpieces from the Renaissance movement

Raphael, 1512
Gemäldegalerie Alte Meister, Dresden, Dresden

Leonardo da Vinci, 1500
Private Collection, Unknown

Raphael, 1510
National Gallery of Art, Washington, D.C.

Raphael, 1511
Vatican Museums, Vatican City

Titian, 1538
Uffizi Gallery, Florence, Florence

Titian, 1555
National Gallery of Art, Washington, D.C.

El Greco, 1614
National Gallery of Art, Washington, D.C.

Leonardo da Vinci, 1503
Louvre, Paris, Paris
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