
by Salvador Dalí, 1936
Dalí's Lobster Telephone from 1936 places a plaster lobster where a telephone receiver should go. The juxtaposition creates Surrealist disorientation: the domestic object becomes uncanny, the familiar made strange.
Dalí saw erotic connections between lobsters and telephones, though he never fully explained the association. British collector Edward James commissioned several versions for his home. The object embodies Surrealism's interest in disrupting everyday reality. It's officially titled "Aphrodisiac Telephone." Several versions exist; Tate owns one.

George Frederick Watts
Tate Modern, London, London

Joseph Beuys, 1985
Tate Modern, London, London

William Blake
Tate Modern, London, London

William Holman Hunt
Tate Modern, London, London
Other masterpieces from the Surrealism movement

Edgar Degas, 1890
Musée d'Orsay, Paris

Édouard Manet, 1863
Musée d'Orsay, Paris

Edgar Degas, 1878
Musée d'Orsay, Paris

Edgar Degas, 1867
Musée d'Orsay, Paris

Édouard Manet, 1862
National Gallery, London

Édouard Manet, 1882
National Gallery, London

Pablo Picasso, 1937
Museo Reina Sofía, Madrid

Édouard Manet, 1869
Musée d'Orsay, Paris
Luxury wall art with the same mood and energy. Gallery-quality canvas, no museum crowds.
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