
Renaissance painter Il Sodoma (Giovanni Antonio Bazzi, 1477-1549) was the leading artist in Siena during the early 16th century, creating works that bridge the High Renaissance and Mannerism. Born in Vercelli, Piedmont, to a shoemaker, he apprenticed with G.M. Spanzotti before being deeply influenced by Leonardo da Vinci and later by Raphael. Invited to Siena in 1501, he spent the bulk of his career there, developing a style noted for sensuous depictions of the human form and exaggerated, almost mystical emotionalism.
In 1505, Sodoma began frescoes at the Olivetan monastery of Monte Oliveto Maggiore, painting 26 scenes from the life of Saint Benedict, continuing a cycle begun by Luca Signorelli. His success led to a 1508 invitation to Rome by banker Agostino Chigi, where Pope Julius II employed him in the Vatican's Stanza della Segnatura. Though Raphael later worked on the same ceiling, he left some of Sodoma's decorations intact. The Marriage of Alexander and Roxane (c. 1516) in the Villa Farnesina is often considered his decorative masterpiece. Back in Siena, his frescoes for San Domenico, including Vision of St. Catherine and Execution of Nicolò di Tuldo, rank among his finest work. Paintings hang at the National Gallery in London, the National Gallery of Art in Washington (Saint George Slaying the Dragon), the Metropolitan Museum of Art, and the Pinacoteca Nazionale in Siena. His religious subjects display the emotional intensity that anticipated Baroque painting.
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