
Swedish painter and art critic Richard Bergh (1858-1919) became a leader of Scandinavian art's revolt against academic tradition while developing a distinctive National Romantic style. Born in Stockholm to artist parents Johan Edvard Bergh and Amanda Helander, he trained at the Royal Swedish Academy of Fine Arts before traveling to Paris in 1881, where he studied with Jean-Paul Laurens at the Académie Colarossi. At Grez-sur-Loing, he joined the Nordic art colony with Ernst Josephson and became a founding member of the Opponenterna, a group protesting the Academy's conservative teaching methods.
Despite years in France, Bergh remained unattracted to Impressionism, preferring the Naturalism of Jules Bastien-Lepage. His painting Nordic Summer Evening exemplifies the twilight mood paintings that emerged when the Opponents returned to Sweden in the 1890s, depicting figures in contemplative stillness under the lingering Nordic light. Bergh coined the term "stämningsmåleri" (mood painting) in an 1896 essay describing this subjective approach that broke with strict Realism. He co-founded the Konstnärsförbundet artists' association with Carl Larsson and Ernst Josephson as an alternative to the conservative Academy. In 1915, Bergh became curator and director of the Nationalmuseum, spending his final years modernizing its purchasing guidelines. His atmospheric blue-toned paintings can be seen at the Nationalmuseum, the Gothenburg Museum of Art, and the Thiel Gallery in Stockholm.
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