
Called the "Mother of American modernism," Georgia O'Keeffe (1887-1986) developed a distinctive visual language that transformed flowers, bones, and desert landscapes into bold, semi-abstract compositions. Born on a Wisconsin farm, she studied at the Art Institute of Chicago and the Art Students League in New York before working as a commercial artist and art teacher. In 1916, photographer Alfred Stieglitz exhibited her abstract charcoal drawings without her permission, launching her career and beginning a relationship that led to their marriage in 1924. Her magnified flower paintings from the mid-1920s brought international recognition, their enlarged petals appearing abstract while remaining rooted in careful observation. O'Keeffe helped establish American Modernism as a distinct movement.
O'Keeffe first visited New Mexico in 1929, finding subjects that would define her mature work: sun-bleached animal skulls, adobe churches, and the stark desert terrain around Ghost Ranch. She moved there permanently after Stieglitz's death in 1946, painting the red hills and vast skies for another four decades. Her cow skull paintings combined Southwestern imagery with patriotic overtones, while later works explored the view from airplane windows as she traveled the world. The Museum of Modern Art held a retrospective in 1946, and the Art Institute of Chicago owns her America Windows stained glass panels. The Georgia O'Keeffe Museum in Santa Fe, opened in 1997, holds the largest collection of her work. In 2014, her painting Jimson Weed/White Flower No. 1 sold for $44.4 million, then the highest price paid for any female artist's work.
3 paintings catalogued with museum locations
3 museums display O'Keeffe's works. Click any museum to see visiting info and the specific works they hold.
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