
by Henri de Toulouse-Lautrec, 1893
Henri de Toulouse-Lautrec created several posters and paintings of Jane Avril, a star performer at the Moulin Rouge. The most famous poster dates to 1893 and shows her mid-dance, one leg kicked high, her thin frame accentuated by the swirling lines of her dress. At the bottom, a double bass player's instrument frames the composition.
Avril was different from other cancan dancers. Where her rival La Goulue performed with aggressive energy, Avril moved with a nervous, jerky grace that earned her the nickname "La Mélinite" after a type of explosive. She and Lautrec became close friends, not just artist and subject. When Lautrec was committed to an asylum in 1899, Avril commissioned his final poster partly as an act of kindness.
The lithograph measures roughly 129 by 94 centimeters. Copies exist in museums worldwide, including The Metropolitan Museum of Art and the Art Institute of Chicago. Lautrec used multiple lithographic stones, one for each color: black, orange, yellow, and green.

Henri de Toulouse-Lautrec
Musée Toulouse-Lautrec, Albi

Henri de Toulouse-Lautrec
Musée Toulouse-Lautrec, Albi

Henri de Toulouse-Lautrec
Musée Toulouse-Lautrec, Albi

Henri de Toulouse-Lautrec
Musée Toulouse-Lautrec, Albi
Other masterpieces from the Post-Impressionism movement

Vincent van Gogh, 1889
National Gallery of Art, Washington, D.C.

Vincent van Gogh, 1888
Musée d'Orsay, Paris

Vincent van Gogh, 1889
Getty Center, Los Angeles

Vincent van Gogh, 1888
Yale University Art Gallery, New Haven

Vincent van Gogh, 1890
Van Gogh Museum, Amsterdam

Vincent van Gogh, 1889
Museum of Modern Art (MoMA), New York

Vincent van Gogh, 1890
Musée d'Orsay, Paris

Vincent van Gogh, 1888
National Gallery, London
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